Ballads Born of Conflict Still Thrive in Colombia

The New York TimesSeptember 7--He arrived at this town on the edge of guerrilla territory with his entourage. They included a producer, a sound man, two scantily clad dancers and a harried servant, who carried his cowboy hat, his snakeskin boots, his tequila and, of course, his bling: a bulky gold necklace emblazoned with the name of Uriel Henao.
September 7, 2010

“Uriel Henao needs to travel with certain standards,” said the 41-year-old balladeer, referring to himself in the third person, as is his custom. “The people in these parts expect it,” he explained after a convoy of honking pickup trucks and motorcycles led by the town’s fire truck marked his arrival for a concert here in August.

The rock-star welcome for Mr. Henao, who cloaks a gourmand’s paunch under a white leather jacket, was common enough. Colombians call him the king of the corridos prohibidos, or prohibited ballads, a musical genre that describes the exploits of guerrilla commanders, paramilitary warlords, lowly coca growers and cocaine kingpins.
 
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