Public reaction to Botero's paintings and drawings here, as with their earlier New York showing, ranged from sympathetic fascination to derision. Their exhibition at the university occasioned lectures and symposia on war, international and constitutional law and other related topics. But the Boteros presence in the Berkeley Art Museum, where they have filled the top-floor galleries since mid-September, has barely registered in the media or in offhand art world conversation. Why? Has their damning power dimmed so soon? Have we made peace with the Bush-Cheney regime after the repudiation symbolized by Barack Obama's election to the presidency? What of the new president's plan to escalate the war in Afghanistan, where "black sites" reportedly still exist? What of the continued operation of Guantanamo Bay prison, which exported the brutalities that the name Abu Ghraib now shorthands? Read more here. Semana International delivers news about Colombia in English. Find more in our home.