1. Alfredo Hlito (Argentine, 1923–1993). Curves and Straight Series. 1948. Oil on canvas.
Galerias
La donación al MoMA en imágenes
1. Alfredo Hlito (Argentine, 1923–1993). Curves and Straight Series. 1948. Oil on canvas.
1. Alfredo Hlito (Argentine, 1923–1993). Curves and Straight Series. 1948. Oil on canvas.
2. Alejandro Otero, (Venezuelan, 1921–1990). Board 1. 1976. Lacquer on wood.
2. Alejandro Otero, (Venezuelan, 1921–1990). Board 1. 1976. Lacquer on wood.
3.Carlos Cruz-Diez, (Venezuelan, born 1923). Project for an Exterior Wall. 1954-1965. Painted dowels and synthetic polymer paint on wood.
3.Carlos Cruz-Diez, (Venezuelan, born 1923). Project for an Exterior Wall. 1954-1965. Painted dowels and synthetic polymer paint on wood.
4. Gego (Gertrud Goldschmidt), (Venezuelan, born Germany, 1912–1994). Eight Squares. 1961. Painted iron.
4. Gego (Gertrud Goldschmidt), (Venezuelan, born Germany, 1912–1994). Eight Squares. 1961. Painted iron.
5. Geraldo de Barros, (Brazilian, 1923–1998). Diagonal Function. 1952. Lacquer on wood.
5. Geraldo de Barros, (Brazilian, 1923–1998). Diagonal Function. 1952. Lacquer on wood.
6. Hélio Oiticica, (Brazilian, 1937–1980). Painting 9. 1959. Oil on canvas.
6. Hélio Oiticica, (Brazilian, 1937–1980). Painting 9. 1959. Oil on canvas.
7. Ivan Serpa, (Brazilian, 1923–1973). Untitled. 1954. Oil on canvas.
7. Ivan Serpa, (Brazilian, 1923–1973). Untitled. 1954. Oil on canvas.
8. Jesús Rafael Soto, (Venezuelan, 1923–2005). Displacement of a Luminous Element.
8. Jesús Rafael Soto, (Venezuelan, 1923–2005). Displacement of a Luminous Element.
9. Juan Melé, (Argentine, 1923–2012). Irregular Frame no. 2. 1946. Oil on composition board.
9. Juan Melé, (Argentine, 1923–2012). Irregular Frame no. 2. 1946. Oil on composition board.
10. Judith Lauand, (Brazilian, born 1922). Concrete 61. 1957. Synthetic polymer paint on wood.
10. Judith Lauand, (Brazilian, born 1922). Concrete 61. 1957. Synthetic polymer paint on wood.
11. Lygia Pape, (Brazilian, 1927–2004). Untitled. 1956. Acrylic on wood.
11. Lygia Pape, (Brazilian, 1927–2004). Untitled. 1956. Acrylic on wood.
12. Raúl Lozza, (Argentine, 1911–2008). Relief N° 30. 1946. Casein on wood and painted metal.
12. Raúl Lozza, (Argentine, 1911–2008). Relief N° 30. 1946. Casein on wood and painted metal.
13. Tomás Maldonado, (Argentine, 1922). Development of a Triangle. 1949. Oil on canvas.
13. Tomás Maldonado, (Argentine, 1922). Development of a Triangle. 1949. Oil on canvas.
14. Waldemar Cordeiro, (Brazilian, 1925–1973). Visible Idea, 1956. Acrylic on wood.
14. Waldemar Cordeiro, (Brazilian, 1925–1973). Visible Idea, 1956. Acrylic on wood.
15. Willys de Castro, (Brazilian, 1926–1988). Active Object (Red - White Cube). 1962. Oil on canvas over wood.
15. Willys de Castro, (Brazilian, 1926–1988). Active Object (Red - White Cube). 1962. Oil on canvas over wood.
A. Glenn D. Lowry, Director, The Museum of Modern Art, and Patricia Phelps de Cisneros, in front of Raúl Lozza’s Relief N 30 (1946) at MoMA.
A. Glenn D. Lowry, Director, The Museum of Modern Art, and Patricia Phelps de Cisneros, in front of Raúl Lozza’s Relief N 30 (1946) at MoMA.
B. Patricia Phelps de Cisneros and Glenn D. Lowry, Director, The Museum of Modern Art, stand next to Hélio Oiticica.
B. Patricia Phelps de Cisneros and Glenn D. Lowry, Director, The Museum of Modern Art, stand next to Hélio Oiticica.
C. Patricia Phelps de Cisneros and Glenn D. Lowry, Director, The Museum of Modern Art, stand next to Alejandro Otero.
C. Patricia Phelps de Cisneros and Glenn D. Lowry, Director, The Museum of Modern Art, stand next to Alejandro Otero.
De izquierda a derecha: Gabriel Pérez-Barreiro y Luis Pérez-Oramas.
Foto: SEMANA /
De izquierda a derecha: Gabriel Pérez-Barreiro y Luis Pérez-Oramas.